damoiselle उदाहरण वाक्य

उदाहरण वाक्य

1. After a few sentences on the painting presented, " Les Damoiselles d'Avignon, " the rest of his career is finished off with : " Throughout his long life, Picasso constantly challenged accepted ways of seeing.
2. "Jean de Forcade, Seigneur de Biaix ", assisted at the marriage by notarized Pau, between " Pierre de Bordes, Seigneur de Rontignon ", and Damoiselle " Marie de Bel�a " on 11 December 1661.
3. Concert works in her repertoire included " Sh�h�razade " by Ravel, " Le martyre de Saint S�bastien " and " La damoiselle �lue " by Debussy, songs by Milhaud and Debussy, and " ?la musique " by Chabrier ( which she also recorded ).
4. The orchestra also will perform Debussy's " La damoiselle elue, " featuring soprano Joan Rodgers and mezzo-soprano Monica Groop; and Stravinsky's " Oedipus Rex, " with narration by actor Maximilian Schell, and vocal performers Groop, tenor Jorma Silvasti as Oedipus, bass-baritone Willard White as Creon, bass Kenneth Cox as Tiresias and tenor Robert Lee as the Shepherd, with the men of the Los Angles Master Chorale.
5. On 4 June 1389, in a judgment concerning a lawsuit filed against her by the archbishop of Sens and Fran�ois Chanteprime, councillors of the king, Christine was styled " damoiselle " and widow of " Estienne du Castel . " Note that in letters he signed as secretary of the king in 1381 and 1382 the signature of Etienne was " Ste de Castel . " The abbreviation of his first name could be read both as a phonetic abbreviation of Estienne and as the first letters of his name in Latin : Stephanus.
6. The queen of France is confirmed to have had a separate household in the late 12th-century, and an ordinance from 1286 notes that the queen of France, queen Joan I of Navarre, had a group of five ladies ( " Dames " ) and maids-in-waiting ( " Damoiselles " ) : in the 1480s, French ladies-in-waiting were divided in to " Femmes mari�es " ( married ladies-in-waiting ) and " Filles d honneur " ( maid of honour ).
7. Debussy finally composed four pieces that were sent to the Academy : the symphonic ode " Zuleima " ( based on a text by Heinrich Heine ); the orchestral piece " Printemps "; the cantata " La damoiselle �lue " ( 1887 1888 ) ( which was criticized by the Academy as " bizarre ", although it was the first piece in which the stylistic features of his later style began to emerge ); and the " Fantaisie " for piano and orchestra, which was heavily based on C�sar Franck's music and therefore eventually withdrawn by Debussy.