figure and ground उदाहरण वाक्य
उदाहरण वाक्य
- To make sense of the world it is necessary to organize incoming sensations into information which is meaningful . figure ground illusion the figure and ground are reversible.
- In the process of creating an urban plan or urban design, carrier-infill is one mechanism of spatial organization in which the city's figure and ground components are considered separately.
- To the medieval eye, he argues, the distinction between figure and ground was crucial : Viewers were trained to read images by sorting them into layers of background and foreground.
- The figure is formed by a contour or outline ( as opposed to an isometric contour line ), the common boundary between the figure and ground, usually through a brightness contrast.
- Contrary to the behaviouralist approach to understanding the elements of cognitive processes, gestalt psychology sought to understand their organization as a whole, studying perception as a process of figure and ground.
- Thanks to unexpected juxtapositions of matte and glossy areas, the vertically arranged feathers border on abstraction and yield a complex figure and ground relationship between the motif and the surrounding space.
- Others are dense, centrally focused compositions in which bright Pop colors ( bubble-gum pink, lime green, tangerine orange ) and networks of hieroglyphic squiggles cause figure and ground to merge, then bounce apart.
- To achieve this I often create architectural and environmental interventions by using light and reflective surfaces; by inverting subject and object or figure and ground; and / or by reversing up and down, exterior and interior ."
- Other notable debuts in Chelsea include Stefan Kurten, whose trippy landscapes at Alexander & Bonin push Gerhard Richter toward Klimt, and Jayashree Chakravatry at Bose Pacia, whose weavings of figure and ground have their own, more tactile kind of captivating undergrowth.
- Other notable debuts in Chelsea include Stefan Kurten, whose trippy landscapes at Alexander & AMP; Bonin push Gerhard Richter toward Klimt, and Jayashree Chakravatry at Bose Pacia, whose weavings of figure and ground have their own, more tactile kind of captivating undergrowth.