class interval वाक्य

उदाहरण वाक्य

1. Also note that equal class intervals are preferred in frequency distribution, while unequal class interval may be necessary in certain situations to avoid a large number of empty, or almost empty classes.
2. Also note that equal class intervals are preferred in frequency distribution, while unequal class interval may be necessary in certain situations to avoid a large number of empty, or almost empty classes.
3. In other words, a histogram represents a frequency distribution by means of rectangles whose widths represent class intervals and whose areas are proportional to the corresponding frequencies : the height of each is the average frequency density for the interval.
4. Often referred to as a "'PIC vector "'( or pitch-class interval vector ), Michiel Schuijer suggests that "'APIC vector "'( or absolute pitch-class interval vector ) is more accurate.
5. Often referred to as a "'PIC vector "'( or pitch-class interval vector ), Michiel Schuijer suggests that "'APIC vector "'( or absolute pitch-class interval vector ) is more accurate.
6. Run as separate races for machines between 250-350cc ( Junior ) and under 250cc ( Lightweight ) all bikes are on-circuit at the same time during the race, but are released at separate class intervals . ( This procedure also applies to the Lightweight / Ultra Lightweight .)
7. These included  proportional point symbols, the line of equal value ( isoline ), the choropleth and shading, the dot method, class intervals, and flow lines .  As the main cartographic tools for depicting thematic data had already been developed, much of Dent s career was spent researching and examining ways in which the cartographer could better communicate with the map reader.
8. The quartet alternates such sections of intervallic exposition with sections that develop the intervals presented up to that point, until eleven different ordered pitch-class intervals have been presented and developed until, in a moment referred to by Babbitt as " telling you the butler did it ", the set that controls the entire musical structure is revealed by a process of " disambiguation ", as Babbitt himself described it.
9. For example, a single pair of pitch classes ( such as C and E ) can stand in multiple relationships : E is both a major third above C and a minor sixth below it . ( This is analogous to the fact that, on an ordinary clockface, the number 4 is both four steps clockwise from 12 and 8 steps counterclockwise of it . ) For this reason, theorists such as Dmitri Tymoczko have proposed replacing Lewinnian " pitch class intervals " with " paths in pitch class space . " More generally, this suggests that there are situations where it might not be useful to model musical motion ( " transformations " in the intuitive sense ) using functions ( " transformations " in the strict sense of Lewinnian theory ).