stageable मीनिंग इन हिंदी

उदाहरण वाक्य

1. However, stageable versions were soon developed, and the play became a standard of Yiddish theater.
2. Both shows are compact, stageable in relatively small spaces, and both have proved durable, earning enthusiastic reviews and solid audiences in several cities.
3. They vary in their achievement, but they all project at least one welcome idea : the world of pop is stageable, a tap-worthy vein of material.
4. Asked if the play were stageable, he said, " Of course, it's stageable, " and added, " Sam did not want it staged ."
5. Asked if the play were stageable, he said, " Of course, it's stageable, " and added, " Sam did not want it staged ."
6. So call it a stageable symphonic oratorio : the music was gorgeous and comically inventive ( the notated choral snores at the end ), and the potential for a dazzling staging would seem limitless.
7. He didn't envisage any technical obstacles to writing something stageable and sensationally topical; he spent one morning planning the guest list for the first-night party, and going over certain points in the interviews he would give ."
8. Originally entitled " Landscape with Figures, " " Street Scene " ( 1929 ), later the subject of an opera by Kurt Weill, won the Pulitzer Prize for Drama for its realistic chronicle of life in the slums . " With fifty characters casually strolling through it, " Brooks Atkinson wrote, " it looked like an improvisation . . . . Based on the facade of a house at 25 West 65th Street, which Rice selected as typical, the tall massive setting caught the tone and humanity of a decaying brownstone . " The script had been rejected by most producers who read it, and director George Cukor abandoned it as un-stageable after the second day of rehearsals.
9. In line with a tendency within the Symbolist movement to view Shakespeare's play as a work of poetry rather than as one for the stage, Craig wrote in his influential manifesto " The Art of the Theatre " ( 1905 ) that it " has not the nature of a stage representation . " The playwright Maurice Maeterlinck ( whom Stanislavski visited in the summer of 1908 to discuss his forthcoming production of " The Blue Bird " ) had argued 15 years earlier that many of the greatest dramas in the history of theatre, including " Hamlet ", were " not stageable . " In 1908, Craig again insisted that an adequate staging of the play was " impossible . " When he suggested the play to the MAT, he wanted " to test my theory that the Shakespearean play does not naturally belong to the art of the theatre ."